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To avoid any conflicts you can move all the clips to separate tracks, sync all clips in one go, and then move the clips to their correct tracks. You can still have multiple clips on each track, but you can only select and sync one of them at a time. Premiere Pro will not allow you to syncronize multiple clips on one track, to avoid collisions. When syncing clips in the timeline, you can only sync one clip on each track at a time. Note the Panning alternating between left/right. Pixelated Image from Source Monitor via TransmitĪudio Track Mixer showing the routing.Playback Problems when Multicam is open in Source Monitor.Ganging Monitors when viewing Multicams in Source Monitor.Choosing a Sequence Preset other than Automatic.Syncing Clips that do not Sync Automatically.Trimming Multicams with keyboard shortcuts.Converting your Custom Sequence into a Multicam.Gotchas when Syncing via Audio Waveforms.Creating a Multichannel “Direct Out” Sequence Preset.

The techniques here are not necessarily the ones recommended by Adobe, but they have proven to be helpful to some Multicam editors. I wrote the Multicam chapter in the Best Practices and Workflow Guide for Adobe, and this post is a collection of both simple and more advanced techniques and workflows that didn’t fit in the Best Practices Guide format, but nevertheless can be really useful for Multicam editing workflows.